DUE FORM
"All Ritual is fortifying.
Ritual is a natural necessity for mankind. The
more things are upset the more they fly to it.
I abhor slovenly ritual anywhere. By the way,
would you mind assisting at the examinations,
If there are many visiting Brothers tonight?"
"You'll find some of 'em
very rusty but-it's the Spirit, not the Letter,
that giveth life. The question of visiting brethren
is an important one. There are so many of them
in London now, you see; and so few places where
they can meet"
So we read in the greatest of
all Masonic stories, "In the Interests
of the Brethren," by Rudyard Kipling. It
is a vivid picture of how our gentle Craft helped
its wounded members in the days of the Great
War, dark, dreadful and confused. No Mason can
read it aloud; a lump will climb into his throat
and choke him.
It tells of a Lodge of Instruction,
formed by the Lodge of Faith and Works, No.
5837, for the benefit of wounded Brethren, under
guise of giving them a chance to rub up on the
Ritual. The scene when the Lodge was called
up at the sound of the Gavel, the rattle of
crutches, the shuffle of feet---some with one
leg, some with one hand---is a picture to break
the heart and mend it. The Signs were fearfully
and wonderfully made!
"D 'you like it ? "
said the Doctor to a one-footed Brother, as
they sat together, after the Lodge had been
seated with difficulty.
"Do I? It's Heaven to me,
sittin' in Lodge again. It's all comin' I back
now, watching their mistakes. I haven't much
religion, but all I had I learnt in Lodge,"
he said with flushed face.
"Yes," he went on, "veiled
in allegory and illustrated in symbols'--the
Fatherhood of God, an' the Brotherhood of Man;
an' what more in Hell do you want. Look at 'em."
He broke off giggling.
"See! See!" cried the
one-footed Corporal. "I could ha' done
it better myself-my one foot in France. Yes,
I should think they ought to do it again! "
Yet in the midst of all the tragic
confusion, the Master insisted that the Ritual
be followed as nearly letter-perfect as possible;
as has been the manner of Masonry from the first.
In the Constitutions of 1738 we learn that Grand
Lodge may be opened in Form, in Due Form, and
in Ample Form, all alike valid and with the
same authority.
When opened by any other Officer
than the Grand Master, the Grand Lodge is opened
only in "Form." If a Past Grand Master,
or the Deputy Grand Master, presides, it is
opened in "Due Form." When the Grand
Master himself is in the Chair, the Grand Lodge
is opened in "Ample Form." And the
same is true, with but slight variation, on
this side of the sea.
Why does Masonry insist so strictly
upon exactness in its Ritual? There is a profound
reason, not to be forgotten or ignored. True,
it is the Spirit, not the Letter, that giveth
life; but the Letter does give a Body, without
which the Spirit of Masonry would be a formless
blur, losing much of its meaning, if not all
of its beauty. Ceremony keeps things up; without
form the spirit melts into thin air and is lost.
What is true of Masonry is equally
true of religion, of manners, of art. The poet
Tennyson speaks of those "whose faith hath
center everywhere, nor cares to fix itself in
form." That is, they believe in everything
in general and nothing in particular. Their
faith is like the earth in the story of creation,
as the Bible tells it, "without form and
void " ; a vague sentiment, as filmy as
a mist and as frail.
Manners, it has been said, are
minor morals. That is, they are the forms of
a social ritual in which the spirit of courtesy
and amenity finds expression. So essential are
they as a form of social fellowship, that, as
Emersion said, if they were lost, some gentlemen
would be obliged to re-invent such a code. The
phrase, "It is not done," has more
than mere convention behind it. It bespeaks
a standard, a sense of propriety, a fineness
of feeling, a respect for the rights and feelings
of others.
Some of our modern artists are
trying to throw off the old classic forms of
music, painting, and poetry. The result is chaos,
a formless riot of color and sound, in which
a horse may be green and a song a mere mob of
notes, without melody. Without lovely form the
spirit of beauty fades and is lost. Ages of
experience have wrought out noble forms of art
and life,which we cannot defy or ignore without
disaster.
The same is true of Masonry. Gentle,
wise, mellow with age, its gracious spirit has
fashioned a form, or body, or an art, if we
call it so, in which its peculiar genius finds
expression. Its old and lovely ritual, if rightly
used, evokes the Spirit of Masonry, as each
of us can testify. The mere opening of a lodge
creates a Masonic atmosphere, in which the truths
of Masonry seem more real and true. lt weaves
a spell about us, making fellowship gracious.
It is a mystery; we love it, without caring
to analyze it.
By the same token, if the rhythm
of the ritual is bungled, or slurred, or dealt
with hastily or without dignity, its beauty
is marred and its spell broken. Just imagine
the opening of lodge, or any one of the degrees,
jazzed up, rushed through with, and how horrible
it would be. The soul of Masonry would be sacrificed,
and its spirit evaporate. For that reason we
cannot take too much pains in giving the ritual
such a rendering as befits its dignity, its
solemnity, and its-haunting beauty.
No wonder Masonry is jealous of
its ceremonies and symbols. It hesitates to
make the slightest change, even when errors
have crept into the ritual, lest something precious
be lost. Indeed, it is always seeking "that
which is lost," not alone in its great
Secret, but in all its symbols which enshrine
a wisdom gray with age, often but dimly seen,
and sorely needed in the hurry and medley of
our giddy-paced age.
Mere formalism is always a danger.
Even a lofty ritual may become a rigmarole,
a thing of rut and rote. Sublime truths may
be repeated like a parrot, as the creed in a
church may be recited 'without thought or feeling,
by force of habit. Still, such a habit is worth
keeping, and often the uttering of great words
stirs the heart with a sense of the cargoes
of wonder which they hold, for such as have
ears to hear.
No matter; our fear of formalism---its
mockery and unreality---must not blind us to
the necessity of noble, stately, and lovely
form, in which to utter and embody the truths
that make us men. For that reason every part
of the ritual ought to have Due Form, nothing
skimped or performed perfunctorily, in order
that the wise and good and beautiful truth of
Masonry may have full expression and give us
its full blessing. Only so can we get from it
what it has to give us for our good.
Take, for example, the Opening
of the Lodge, so often regarded as of no great
importance in itself, save as a preliminary
to what is to follow. Not so. Nothing in Masonry
is more impressive, if we see it aright. As
a flower "opens its lodge, " as one
of our poets puts it, when it unfolds its petals
and displays its center to the sun which renews
its life, so the opening of a Masonic Lodge
is a symbol of the opening out of the human
mind and heart to God. It is a drama of an inward
and ineffable thing, not to be spoken of except
in the poetry of symbol.
One sees it more plainly in the
English ritual, in which the three degrees,
or grades as they name them, has each its stage.
First is the stage appropriate to the apprentice,
a call to lift the mind above the level of external
things. The second is a further opening, an
advance in the science revealing greater things
than apprentices may know. It is an opening
"upon the square," which the first
degree is not.
By the time we reach the Third
Degree, a still deeper opening of the mind is
implied, "upon the centre," for those
of the Master rank, involving the use of finer
powers of perception, to the very center and
depths of being. How far and to what depth any
of us is able to open the Lodge of his Mind,
is the measure of what Masonry is to us. As
an ancient manual of initiation tells us, urging
us to an inward quest:
"There lives a Master in
the hearts of men who makes their deeds, by
subtle pulling strings, dance to what time He
will. With all thy soul trust Him, and take
Him for thy succor. So shalt thou gain, by grace
of Him, the uttermost repose, the Eternal Peace."
Such meanings, and far more than
here hinted, lie hidden to most of us in the
simple ceremony of opening the Lodge. How much
Masonry would mean for us and do for us, if
only it had its due form both of ritual and
interpretation. It might not explain all riddles,
but it would light many a dark path, and lead
us thither where we seek to go.
Religion, untainted, here dwells;
Here the morals of Athens are
taught;
Great Hiram's tradition here tells
How the world out of chaos was
brought.